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FluXS Car Cigarette Lighter Ozone Disinfects and Sterilises Objects of Virus and Bacteries 99.9%

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Baas, Jacquelynn, Friedman, Ken Fluxus and the Essential Questions of Life. Chicago and Hanover, NH: University of Chicago Press and Hood Museum of Art, 2011. ISBN 978-022-60335-9-4.

halide activators (organic halide salts, e.g. dimethylammonium chloride and diethylammonium chloride) Active atmospheres are relatively common in furnace brazing; due to the high process temperatures the reactions are reasonably fast. The active ingredients are usually carbon monoxide (possibly in the form of combusted fuel gas) and hydrogen. Thermal dissociation of ammonia yields an inexpensive mixture of hydrogen and nitrogen. [ citation needed]

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A number of artists in the group were interested in setting up Flux communes, intending to 'bridge the gap between the artist community and the surrounding society' [93] The first of these, La Cédille qui Sourit or The Cedilla That Smiles, [94] was set up in Villefranche-sur-Mer, France, by Robert Filliou and George Brecht, 1965–1968. Intended as an 'International Centre of Permanent Creation', the shop sold Fluxkits and other small wares as well as housing a 'non-school', boasting the motto "A carefree exchange of information and experience. No students, no teachers. Perfect licence, at times to listen at times to talk." [95] In 1966, Maciunas, Watts and others took advantage of new legislation drafted to regenerate the area of Manhattan known as 'Hell's Hundred Acres', soon to become rebranded as SoHo, allowing artists to buy live/work spaces in an area that had been blighted due to a proposed 18-lane expressway along Broome Street. [93] Led by Maciunas, plans were laid to start a series of real-estate developments in the area, designed to create an artists' community within a few streets of the FluxShop on Canal Street. Janssen, Ruud. Mail-Interviews Part 1 Interviews with Mail-Art and Fluxus Artists. Breda: TAM-Publications, Netherlands 2008. Vehicles – high-temperature tolerant chemicals in the form of non-volatile liquids or solids with suitable melting point; they are generally liquid at soldering temperatures. Their role is to act as an oxygen barrier to protect the hot metal surface against oxidation, to dissolve the reaction products of activators and oxides and carry them away from the metal surface, and to facilitate heat transfer. Solid vehicles tend to be based on natural or modified rosin (mostly abietic acid, pimaric acid, and other resin acids) or natural or synthetic resins. Water-soluble organic fluxes tend to contain vehicles based on high-boiling polyols - glycols, diethylene glycol and higher polyglycols, polyglycol-based surfactants and glycerol. A very thin layer of zinc can be used for joining aluminium parts. The parts have to be perfectly machined, or pressed together, due to the small volume of filler metal. At high temperature applied for long time, the zinc diffuses away from the joint. The resulting joint does not present a mechanical weakness and is corrosion-resistant. The technique is known as diffusion soldering. [ citation needed]

Activity – the ability to dissolve existing oxides on the metal surface and promote wetting with solder. Highly active fluxes are often acidic or corrosive in nature.

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Fluxus is similar in spirit to the earlier art movement of Dada, emphasizing the concept of anti-art and taking jabs at the seriousness of modern art. [127] Fluxus artists used their minimal performances to highlight their perceived connections between everyday objects and art, similarly to Duchamp in pieces such as Fountain. [127] Fluxus art was often presented in "events", which Fluxus member George Brecht defined as "the smallest unit of a situation." [127] [128] The events consisted of a minimal instruction, opening the events to accidents and other unintended effects. [129] Also contributing to the randomness of events was the integration of audience members into the performances, realizing Duchamp's notion of the viewer completing the art work. [129] Solids – the percentage of solid material in the flux. Fluxes with low solids, sometimes as little as 1–2%, are called low solids flux, low-residue flux, or no clean flux. They are often composed of weak organic acids, with addition of small amount of rosin or other resins.

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